Shironamhin merges heritage and harmony across continents – The Daily Star

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Time and again, Bangladeshi pioneering folk fusion band Shironamhin has established itself at the forefront as one of the country’s musical leaders. Armed with a melodic identity that celebrates tradition whilst adapting modernity, Shironamhin has journeyed to maintain our cultural devoutness. Founded in the late 1990s, they utilise their culturally unique identity as musical storytellers to travel across the world for the sake of their fans and leadership. 
Their performances across international stages, be it underneath the brilliant skyline of Sydney, Australia, or the iconic boulevards of Paris, France, have harboured and strengthened the resonance of Bengali heritage out there. They bring forth the ability to unite audiences to centuries-old conventions through instruments like the sarod, flute, esraj, and cello.
In Galle, Sri Lanka, Shironamhin took the stage amidst a backdrop of colonial architecture and the soothing winds of the Indian Ocean. In contrast, their performance in Kuala Lumpur reflected the rhythm of the vibrant city, blending classical instruments with synthesisers and electric guitar, capturing the essence of the urban landscape. Kolkata felt like a cultural homecoming to them, where Shironamhin’s performance became a reunion, not just a show, rooted in shared literary and musical heritage.
As they gear up for their upcoming journey through Canada and the United States, Shironamhin remains steadfast in transcending both musical boundaries and national borders. They can fly high and far because their sound interests international listeners, encouraging many to explore the richness of traditional Bangladeshi instruments and styles. This tour signifies more than a series of performances—it represents the rise of a cultural wave gaining momentum worldwide.
Moreover, since their fulfilled success of their Rabindra Sangeet album, Rabindranath, Shironamhin is now deep into working on a Nazrul Sangeet track under the authorisation of Nazrul Institute, a part of Bangladesh’s Ministry of Cultural Affairs. The National Archive will preserve the track as a contemporary example of upholding classical notes while innovating the sound — a touchstone for our forthcoming generations.
The band would have perhaps never reached its potential without the impassioned talents of each of its artistes defining it with their shared vision. Ziaur Rahman anchors the band with his lyrical depth and melodic sensibility, while Kazy Ahmad Shafin shapes their sound with classical flair on drums, flute, and sarod. Shaik Mohammad Istiaque leads with vocals that resonate across generations. Md Maidul Islam blends tradition and innovation on piano and synth, and Sudipto Sinha enriches their sound with textured guitar and banjo work. Together, they form a living archive of Bangladesh’s soul, reimagined to survive and thrive today.
Over the years, Shironamhin’s contributions to Bangladeshi music were made stark by numerous prestigious awards recognising them. The band was named Band of the Generation by the Cultural Journalist Forum Bangladesh (CJFB) and won Best Song Music Video at the Channel i Citycell Awards in 2006. They received the Critics‘ Choice Award for Best Rock Band at the Symphony Channel i Music Awards in 2016 and were honoured as Best Band in both the 2019 and 2020 Oikko Channel i Music Awards, also securing Best Sound Engineer for their track Ei Obelay. Additionally, Shironamhin was awarded by Binodon Bichitra in 2010, marking their impact across both critical and popular platforms in the music industry.
Notably, Shironamhin has built a strong emotional bond with audiences both in Bangladesh and abroad, especially among the Bangladeshi diaspora in the US, where their music connects the up-and-coming generations to their roots. Regularly headlining events like Baisakhi Mela and FOBANA, they’ve become a beloved name. At home, their influence inspires young musicians to embrace classical instruments, while their music continues to carry the timeless spirit of Bengali culture beyond trends.
As they near their 30-year milestone, Shironamhin has expressed heartfelt appreciation to both local and global fans. Committed to their artistic voyage, the band plans to tour cities around the world, delivering live performances that evoke a sense of cultural belonging. Their goal remains steadfast—to carry the essence of Bangladesh with pride, richness, and a musical identity that resonates beyond national boundaries.
The band is active in sharing their music through individual track releases on international platforms such as YouTube, Spotify, JioSaavn, and Apple Music. With three new songs set to drop soon, they are steadily building on their tradition of captivating audiences around the world.
Time and again, Bangladeshi pioneering folk fusion band Shironamhin has established itself at the forefront as one of the country’s musical leaders. Armed with a melodic identity that celebrates tradition whilst adapting modernity, Shironamhin has journeyed to maintain our cultural devoutness. Founded in the late 1990s, they utilise their culturally unique identity as musical storytellers to travel across the world for the sake of their fans and leadership. 
Their performances across international stages, be it underneath the brilliant skyline of Sydney, Australia, or the iconic boulevards of Paris, France, have harboured and strengthened the resonance of Bengali heritage out there. They bring forth the ability to unite audiences to centuries-old conventions through instruments like the sarod, flute, esraj, and cello.
In Galle, Sri Lanka, Shironamhin took the stage amidst a backdrop of colonial architecture and the soothing winds of the Indian Ocean. In contrast, their performance in Kuala Lumpur reflected the rhythm of the vibrant city, blending classical instruments with synthesisers and electric guitar, capturing the essence of the urban landscape. Kolkata felt like a cultural homecoming to them, where Shironamhin’s performance became a reunion, not just a show, rooted in shared literary and musical heritage.
As they gear up for their upcoming journey through Canada and the United States, Shironamhin remains steadfast in transcending both musical boundaries and national borders. They can fly high and far because their sound interests international listeners, encouraging many to explore the richness of traditional Bangladeshi instruments and styles. This tour signifies more than a series of performances—it represents the rise of a cultural wave gaining momentum worldwide.
Moreover, since their fulfilled success of their Rabindra Sangeet album, Rabindranath, Shironamhin is now deep into working on a Nazrul Sangeet track under the authorisation of Nazrul Institute, a part of Bangladesh’s Ministry of Cultural Affairs. The National Archive will preserve the track as a contemporary example of upholding classical notes while innovating the sound — a touchstone for our forthcoming generations.
The band would have perhaps never reached its potential without the impassioned talents of each of its artistes defining it with their shared vision. Ziaur Rahman anchors the band with his lyrical depth and melodic sensibility, while Kazy Ahmad Shafin shapes their sound with classical flair on drums, flute, and sarod. Shaik Mohammad Istiaque leads with vocals that resonate across generations. Md Maidul Islam blends tradition and innovation on piano and synth, and Sudipto Sinha enriches their sound with textured guitar and banjo work. Together, they form a living archive of Bangladesh’s soul, reimagined to survive and thrive today.
Over the years, Shironamhin’s contributions to Bangladeshi music were made stark by numerous prestigious awards recognising them. The band was named Band of the Generation by the Cultural Journalist Forum Bangladesh (CJFB) and won Best Song Music Video at the Channel i Citycell Awards in 2006. They received the Critics‘ Choice Award for Best Rock Band at the Symphony Channel i Music Awards in 2016 and were honoured as Best Band in both the 2019 and 2020 Oikko Channel i Music Awards, also securing Best Sound Engineer for their track Ei Obelay. Additionally, Shironamhin was awarded by Binodon Bichitra in 2010, marking their impact across both critical and popular platforms in the music industry.
Notably, Shironamhin has built a strong emotional bond with audiences both in Bangladesh and abroad, especially among the Bangladeshi diaspora in the US, where their music connects the up-and-coming generations to their roots. Regularly headlining events like Baisakhi Mela and FOBANA, they’ve become a beloved name. At home, their influence inspires young musicians to embrace classical instruments, while their music continues to carry the timeless spirit of Bengali culture beyond trends.
As they near their 30-year milestone, Shironamhin has expressed heartfelt appreciation to both local and global fans. Committed to their artistic voyage, the band plans to tour cities around the world, delivering live performances that evoke a sense of cultural belonging. Their goal remains steadfast—to carry the essence of Bangladesh with pride, richness, and a musical identity that resonates beyond national boundaries.
The band is active in sharing their music through individual track releases on international platforms such as YouTube, Spotify, JioSaavn, and Apple Music. With three new songs set to drop soon, they are steadily building on their tradition of captivating audiences around the world.
অনুমতি না পেলে, এক্ষেত্রে জাতিসংঘের সরাসরি ভূমিকা সীমিত বলেও মন্তব্য করেন তিনি।

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