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Indeed as the show – a 23-song spectacle – progressed, with each passing number richer in theatre and voice than the last, by the time the set drew to a close the roof was well and truly raised. There were tears too. But more on that later. The show started with a montage, with imagery and film depicting Andrea Bocelli’s three-decade-long career. As it ended, Andrea walked onstage, dapper in a gold jacket and bow tie; behind him a full orchestra rumbling into action, alongside a 30-something piece choir, women to the left, men to the right. His first song, La Donna è Mobile, he sang alone. Bocelli’s voice, as always, was like the most delicious honey. Then we were introduced to the first guest performer of the show: Mariam Battistelli, an incredible Italian soprano born in Ethiopia, who would continue to feature throughout.

The final guest star to make our acquaintance was Pia Toscano, a pop-style singer who frequently duets with Andrea Bocelli. After bringing the house down with an initial solo of All By Myself (wow wow wow), the pair sang The Prayer. To my surprise, as the final bars played out I found myself wiping a tear off my cheek.
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An encore saw Bocelli delight the 23,500-strong crowd to Sole Mio, sung with Mariam, then Time To Say Goodbye, which went down like a cold towel on a hot day – deliciously. Bocelli’s voice was out in full force. I had goosebumps. Between each song, Bocelli, arm in arm with conductor Carlo Bernini, teased leaving the stage, walking back on to escalating cheers. “I’m too old for this,” he joked. It was one of the only times he spoke throughout the show.
Ending on Nessun Dorma, the famous song’s final notes soaring into the stratosphere, Bocelli reminded us why he’s the most successful classical artist of all time. What a voice. What a show. I want to watch it all over again immediately.
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